The Cranberries Greatest Hits Download
“Analyse” ( Wake Up and Smell the Coffee, 2001)Sometimes when artists rip themselves off, it’s a travesty, as many Metallica fans could tell you about “The Unforgiven II.” But sometimes a song is just so amazing, its auteurs have to return to it a second time. So 2001’s “Analyze” was a shameless return to the Cranberries’ classic first single: its comforting blanket of a chord progression, its cavernous, echoing tambourine, its chiming arpeggios. If that’s what it took to create the band’s last great contribution to the dream-pop canon, then so be it; better to have two “Dreams” than one.6. “Schizophrenic Playboy” ( Roses, 2012)The Cranberries’ last proper studio album came well after their multi-Platinum heyday, but its excellently titled centerpiece found the band in assured, confident form two decades after they debuted. While earlier attempts at frenetic, minor-key rockers like “I Just Shot John Lennon” often compromised their intensity with head-scratching lyrics, “Schizophrenic Playboy” doesn’t let anything stand in the way of its undeniable “la-da-da-da” hook, its neo-psychedelic string breakdown, or its nicely turned slap at crazy-men-who-turn-women-crazy: “Schizophrenic playboys/ Cannot handle their toys.”5. “Loud & Clear” ( Bury the Hatchet, 1999)“Loud & Clear” is the perfect title for this excellent Bury the Hatchet deep cut, which frequently punctuates its forthright melody and call-response hook with attention-grabbing horn blasts.
The absurdist chorus (“People are stranger/ People deranged, are”) would be appreciated by Jim Morrison, but the boisterous middle eight and odd structure (bridge, then verse, then wordless chorus all the way to the finish?) make it one of the most memorably playful entries in the band’s entire catalog. “Linger” ( Everybody Else Is Doing It, So Why Can’t We?, 1993)One of the great second-side openers of the ‘90s, the Cranberries' biggest Hot 100 hit gathers steam with nearly a minute of massive fanfare introducing itself.
The arrangement and wide-open production create a huge canyon that the song never seems to totally fill, even with layer upon layer of Dolores O’Riordan’s lush, rippling voice as though it builds and builds and ascends and ascends all the way to the finish. Before “Zombie,” they may have come off as lightweights, if something that essentially boiled down to folk-rock wasn’t treated with Zeppelin-sized heft like this.3. “Zombie” ( No Need to Argue, 1994)The band’s biggest and heaviest alternative hit showed clearly why these Irish folk-derived melodists could play ball with ‘90s radio; they could crush an entire room with the combined largesse of Riordan’s ocean-swallowing voice, those thudding drums, and that bruising wave of distortion roiling back up with every chorus. They weren’t folk-anything at this point, but they weren’t quite grunge either: They were a startling unit of humble originals crushing the pop landscape from out of nowhere.2. “You & Me” ( Bury the Hatchet, 1999)Prettiness is everything with the Cranberries, so for all of the iconicity of our No.
3 song, it shouldn’t surprise anyone that this list is topped by two heartbreakingly beautiful compositions. Uk scanner frequencies 2018 online. The lesser-known one is “You & Me,” an afterthought of a single from 1999 that decorated the familiar swell of resonating arpeggios and brushed drums with some electronic textures and a tastefully monolithic brass section underscoring the gorgeous refrain.
The Cranberries Greatest Hits Download Youtube
An uncomplicated yet huge and tender song, this contained everything great about the Cranberries. All it lacked was cultural clout.